
His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the fact that several copies he made of Correggio's works were thought to be duplicates by Correggio himself. His extreme fastidiousness limited the number of his works. Several examples are to be seen at Florence and elsewhere...
His most famous work, in his own day and now, is Judith with the Head of Holofernes. It exists in at least two versions by Allori, of which the prime version is perhaps that in the British Royal Collection, dated 1613, with various pentimenti. A version of 1620 in the Palazzo Pitti in Florence is the best known and there are several copies by studio and other hands. According to the near-contemporary biography by Filippo Baldinucci, the model for the Judith was his former mistress, the beautiful "La Mazzafirra", who is also represented in his Magdalene, the head of Holofernes is a self-portrait, and the maid is "La Mazzafirra"'s mother.
Cristofano Allori select paintings:





